VENICE DIARY 6. AWARDS
VENICE – Our intrepid Studio Exec has braved the screening rooms of the Darsena, the Sala Grande and even the dreaded plastic cavern that is the Palabiennale and now is here to give you his critical opinion.
The awards are out and the results are – as is traditional – baffling and underwhelming.
Charlie Kaufman and Duke Johnson should have won the Golden Lion, but instead got the runner up Grand Jury Prize for Anomalisa. It’s like an R-rated Wallace and Gromit film, but with Gromit dead and Wallace really unhappy and perhaps mentally ill. The best director prize went to El Clan which was the best Argentinian Martin Scorsese film of the last year. The winner was Venezuelan film From Afar, which is okay. But a quick glance at some past winners will show how often a fairly twee choice will trump better films. Does anyone remember Scra GRA? Somewhere? Did anyone see Faust? Or the Pigeon Sitting on a Branch Contemplating Existence, which won last year? The last two were actually good films, but Somewhere? How did that win? How did Quentin Tarantino’s ex-girlfriend Sofia Coppola’s rather drab film impress the head of the jury Quentin Tara… oh.
There is a chance that Venice were copying Cannes who awarded Dheepan the Palme d’Or despite the fact it was only a bit better then How to Train Your Dragon 2.