THE LONE RANGER: REVIEW


Gore Verbinski has made an exuberantly entertaining comedy Western starring a bravura performance from Johnny Depp, but enough about Rango, what’s The Lone Ranger like?
Well, he took a narrative device from Little Big Man, several scenes, the sound design, the long coats and musical queues from Once Upon A Time in The West, a scene from The Searchers, the desert and parasol from The Good, The Bad and The Ugly, some costuming from The Big Country, the ethical argument (but not the ethics) of The Man Who Shot Liberty Valance, the villain from a video game, Tim Burton’s wife from Tim Burton, the landscape from John Ford, the doomed Indians from Dances with Wolves, the roller-coaster from Indiana Jones and the Temple of Doom, Jack Sparrow from Pirates of the Caribbean, a reference to Charlie Chaplin, poor Armie Hammer, Hans Zimmer’s the William Tell overture, and has made a theme park blockbuster that looks beautiful but is often both metaphorically and literally a train wreck.  

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