THE BEST EXOTIC MARIGOLD HOTEL UNRATED VERSION

LONDON – A new extended hardcore version of The Best Exotic Marigold Hotel is to be released on blu-ray and DVD later this week, which will include scenes of unsimulated sexual intercourse, S&M orgies and animal torture.

The Director’s Cut comes with a special warning that the contents are only suitable for an adult audience. The film’s director John Madden said it was an opportunity for him to go back to ‘the pure vision of sex and violence of the novel’ and which he claimed was massacred by the editing team for commercial motives. Madden said:

The marketing people got hold of our film and they saw Judi Dench and Maggie Smith and Bill Nighy and they decided to go after the grey dollar basically. Out went the orgies, out went the savage violence, the scenes of necrophilia and the amoral and extremely cynical view of racial relationships between the white English middle class and the Indians. What we were basically left with was something that was twee and utterly forgettable. They went from Pasolini to passe.

Judi Dench and Tom Wilkinson have both expressed their delight that the scene where they murder a monkey for fun has been restored. ‘It sums up the nihilism of our characters,’ said Dame Judi Dench. ‘I think it’s utterly delightful.’ 

The Best Exotic Marigold Hostel Unrated is available to buy on DVD and Bluray and Digital Download from iTunes.

ONLY GOD FORGIVES ‘BASICALLY A REMAKE OF BEST EXOTIC MARIGOLD HOTEL’
















COPENHAGEN – Nicholas Winding Refn has revealed that his Drive follow up and Cannes contender Only God Forgives has taken as its inspiration The Best Exotic Marigold Hotel. The Pusher director commented:

I already had the script of Only God Forgive written when I saw The Best Exotic Marigold Hotel and immediately I saw the thematic similarities of a violent clash between East and West, man and woman. I immediately rewrote the script to bring it more in line.


John Madden – director of The Best Exotic Marigold Hotel and other comfortably carpeted films such as Shakespeare In Love – said that he was flattered by the attention paid to his films:

I know Nicholas’ work very well and it is difficult for me to believe he could have found anything inspiring in my well worn but pleasant little film. And yet he is adamant that my film is the true inspiration for his so, with that in mind, I can only feel great pride. Mystification naturally, but also pride.  

The Great Dane (as Refn prefers to be known) said:

My film will obviously be a bit more violent, because basically I haven’t got the courage of John just to let the story tell itself and I need to drag the audience into my world via such flummeries. I tried to cast the same actors but Bill Nighy was doing every other film this year and had quite a full schedule and Judi Dench slapped my face, which I took as a personal honour.

Only God Forgives will première at the 66th Cannes Film Festival.

FLUFFER’S END OF YEAR REVIEW: PART 2

For Your Consideration

As award season approaches veteran ham Sir Edwin Fluffer shamelessly campaigns for the recognition he doesn’t really deserve. Here are just a few of his performances from the last year that the Academy won’t find it difficult to ignore.


The Best Exotic Marigold Hotel
I took the inspiration for this performance from my dear old friend Alec ‘Gin And Tonic But Not What I’m Working’ Guinness. His portrayal of the elderly Brahmin scholar Professor Godbole in A Passage To India has to be seen to be believed, so I paid tribute to that.  
Sadly the director felt it was more of a direct copy than a tribute and we had a slight disagreement about that. In the end I had to agree with him that it was not entirely appropriate for the role I was playing, which was that of one of the patients in the hospital with Maggie Smith. What the script didn’t make entirely clear was that my character had recently passed away from complications caused by pneumonia and emphysema, which is why you only see me lying on a bed with a blanket over my head.


Life of Pi
Without a doubt this was one of the most arduous shoots I’ve ever been on, and an actor of lesser experience would’ve found it a lot more difficult than I did! The idea was to pay homage to that wonderful Alfred Hitchcock movie, Lifeboat. Hitch provided his traditional cameo for this picture by appearing in an advert in a newspaper that’s found in the boat and a few of us decided to do the same as a little joke.
We spent a lot longer than we probably needed to getting the photo right, and if I remember rightly that was because I arrived on set slightly worse for wear after a very good lunch.  The trouble was that every time we put the newspaper on the raft it kept blowing into the sea, so after a couple of takes we just forgot about it. Sadly I never got to meet the tiger, but I’m assured he was quite charming.