HOLLYWOOD – Dr Strangelove 2 has been green lit.

With World War 3 just a beautiful piece of cake and a twitter rant away, Stanley Kubrick’s classic of Cold War paranoia is to get a sequel with Dr. Strangelove 2. Director Steven Spielberg had this to say:

I’ve always loved Stanley’s film but I was also dissatisfied by the ending. What? Everyone dies? That’s it. I knew when I first saw the film that it wasn’t true. Here I was after all, alive, watching the film. So I decided that something must have happened. A short circuit, or maybe everyone hid in a fridge, and the world somehow continues. My film takes that premise. We are going to see that now General Buck Turgidson, played by George C. Scott in the original –  John Goodman plays him for me – has become President of the United States of America. He wants to renew mining because he doesn’t want a mine shaft gap to develop between the US and the Chinese and North Koreans. Unfortunately things go bad.

Someone goes crazy and tries to set off a bomb?

No. In our version it’s the President who is trying to set off the bomba nd everyone else who is trying to stop him. It just seemed more realistic that way.

Dr Strangelove 2 will be released in 2019.


HOLLYWOOD – Stanley Kubrick still continues to have a massive influence on the world of Cinema today, but what do we really know about the director who brought us the Monolith, wrote Singing in the Rain and always directed films with his Eyes Wide Shut?

The Studio Exec FACT squad was sent to the archives to find out everything there is to know about the reclusive genius called Stanley Kubrick and this is what they found.

1. Stanley Kubrick probably wasn’t murdered (CLICK HERE for the theory). Although there have been many theories about his sudden demise, including ideas about the Illuminati being angry about Eyes Wide Shut revealing their secrets, the cause of Stanley Kubrick’s death look like being entirely natural.

2. Stanley Kubrick first made his name as a photographer in New York for Time Magazine among others. He first got the idea to become a movie director when he was holding a bunch of photographs together that he had just developed and by flipping through them saw that he had in fact invented cinema. Disconcerted that he was about fifty years too late, he decided to do the next best thing and reinvent it as a film director. He started filming noirish crime thrillers, but soon turned his attention to Lolita which he mistakenly believed to be porn. Ironically the same thing would happen on three more occasions with Spartacus, Dr. Strangelove and Barry Lyndon.

3. All Stanley Kubrick’s films are based on novels or short stories, even though Stanley himself couldn’t read or write and even had to have basic concepts such as ‘handle’, ‘discotheque’ and ‘cheese cake’ described to him by kindly friends. To choose a project Kubrick would cover himself in marmalade and have assistants throw novels at him until one stuck to his marmalade smeared body: hence the Hollywood phrase ‘Marmalade debate’. The Clockwork Orange was chosen because as a thin book – almost a novella – it lodged between his buttocks having been thrown like a Shuriken by Anthony Burgess himself.

4. 2001: a Space Odyssey was initially supposed to have much more dialogue and a voice-over, explaining the plot and the scientific background to the film, but Arthur C. Clarke had a very annoying voice and it was replaced at the last minute by classical music. The speaking monkeys from the first fifteen minutes of the movie were also scrapped and this footage has long been sought, as legendary as the Dr. Strangelove custard pie fight and the famous Full Metal Jacket animated sequence where Matthew Modine sings about Indochina to a bunch of curious chipmunks, later the inspiration for Alvin and the Chipmunks.

5. Stanley Kubrick invented the beard. Prior to Kubrick men could grow mustaches that they weaved under their chins to create the illusion of beardedness, or they used back hair brought forward, if they had no mustaches. Kubrick was given beard growing technology by NASA as a thank you present for faking the moon landing film. They also helped him film The Shining by providing him with real ghosts.

For more FACTS click HERE.


HOLLYWOOD – Following the unveiling of Charlie Chaplin as a Nazi, the Studio Exec has discovered that British comic actor Peter Sellers was also possibly a member of a far right group as can clearly be seen from this photograph taken in 1969.

Peter Sellers was already famous for his portrayal of Inspector Clouseau in The Pink Panther and A Shot in the Dark when he was apparently seduced by the tenets of National Socialism, probably by old Goons colleague Spike Milligan. Stanley Kubrick, who worked with Peter Sellers on the film A Clockwork Orange in which Sellers played a number of parts, said of Sellers:

Peter is a wonderful actor, capable of comedy and drama and anything. And as a human being, he is a very interesting man, and apparently Aryan. Or at least that’s what he keeps saying.

How many secret Nazis are hiding, or have hidden, in Hollywood?

Here is a short list:

Charlie Chaplin

Clint Eastwood

Peter Sellers

Gregory Peck

Ian McKellen

Malcolm McDowell

Bruno Ganz


HOLLYWOOD- Following the release of the new director’s cut of Dr. Strangelove, the Stanley Kubrick estate has decided to release an alternate cut of the director’s 1960 slave rebellion picture Spartacus.

The cut will include an alternate ending which reveals a much more pessimistic view of human nature.

‘This is what Stanley actually believed would have happened,’ said a spokesperson for the estate.

At this stage in his career he was still under the pressure to make a Hollywood picture and Kirk Douglas also had much more power than even Stanley. Remember Kubrick was hired for this job while the film was already in production.

Other changes include:

  • A sex scene between Laurence Olivier and Tony Curtis (Anthony Hopkins provides the moans and groans on the soundtrack).
  • CGI gore in the battle scenes supervised by Peter Jackson.
  • A tiger in the famous gladiator battle with Woody Strode, courtesy of Ridley Scott.

Spartacus: the Final Version will be released later this month.


HOLLYWOOD – Stanley Kubrick’s Cold War masterpiece Dr. Stangelove (or How I Learned to Stop Worrying and Love the Bomb) is to be re-released in a new version which will include the famous custard pie fight ending, cut from the original theatrical release.

The Kubrick Estate said that the film has been painstakingly pieced together and digitally remastered.

A spokesperson told the Studio Exec EXCLUSIVELY:

This has been the work of several years and has taken experts from all over the world, including the participation of famous directors and fans of Stanley like Steven Spielberg and Martin Scorsese.

How can you be sure that this is the version Kubrick wanted the world to see?

A lot of people think of Stanley Kubrick now as the master manipulator, the man who controlled every aspect of his film’s production., The answer however is a little more prosaic. Often Stanley was in two minds about a creative decision and if he could have I believed he would have released both versions of the film. Look at The Shining which he dramatically edited when the longer version didn’t play well. So now we have the opportunity of showing the film with the custard pie scene intact, I think he would be pleased with the idea. Plus he liked making money as well.

What other changes are there?

Peter Sellers played the part of the pilot Major ‘King’ Kong until an accident meant he had to give up the extra role. However we have some footage of him doing some of the early scenes and Stanley also recorded his line reading of the whole script so we’ve put back those scenes and we’ve CGIed Peter Seller’s head onto Slim Pickens’ body for the scenes he didn’t do. So now we have Sellers as Mandrake, the President, Dr. Strangelove and Maj. Kong.

Anything else?

Yes. Kanye West has recorded a completely new soundtrack, supervised by Nicolas Refn Winding.

Dr. Strangelove (or How I Learned to Stop Worrying and Love the Bomb) will be released on Blu-ray on Friday and will be in a limited theatrical release across the country.




LONDON – Three brand new Stanley Kubrick films are due to be released in the next five years, according to film producer and long-time Kubrick collaborator Jan Harlan.

The films – which have been prepared from the thousands of feet of unused footage and using earlier drafts of scripts – will officially be credited to Kubrick as director. Jan Harlan, who was also Mr. Kubrick’s brother-in-law, spoke exclusively to the Studio Exec:

Stanley always shot enough footage for every film to make two or three films on top of the one released. Many of these shots were simply repetitions of the same scenes, with slight variations. But some of this footage represented a wildly different version which can be pieced together into what is effectively a different film. Three films in fact.

The films to be released are: 

1. The Shindig: Reconstructed from an earlier draft of the classic Stephen King horror novel, The Shindig comes from the alternative takes Stanley Kubrick made Jack Nicholson do of The Shining in a lilting Irish accent.

JH: ‘The Shindig really is a delightful family comedy in which Jack O’Torrance arranges a party for all the old ghosts and magical topiary animals, helped by his son Danny and his invisible friend Tony, played by Frank Oz. It will challenge the views of everyone who thought of Kubrick as a pessimist.’

 2. Barry Rock On: The Thackery novel was originally filmed as a stellar rock opera, but after some abysmal test screenings, Kubrick got cold feet and took out all the songs, replacing them with a dour Michael Horden voice over.

JH: ‘BRO is wonderful 18th Century Rock Opera and a testament to its times, with performances by Shakin’ Stevens, Abba, The Sweet and Queen, who reused the theme song from the film ‘Barry (Saviour of the Universe)’ for the Flash theme.’

 3. Eyes Wide Open: Tom Cruise and Nicole Kidman play self-made millionaires and private detectives Jonathan and Jennifer Hart who one winter in New York, find themselves in the midst of a conspiracy.

JH: ‘The funny thing here is our Hart to Hart reboot, the one you’ll see now, was the actual film Stanley intended to release, and therefore would have been his last film. However, Stanley had never acquired the rights, assuming he would get them later. When the film was complete, it turned out that Robert Wagner bitterly hated Stanley because he thought A Clockwork Orange wasn’t violent enough. With a deadline looming, Stanley had to re-cut the film and obfuscate or eliminate any reference to Hart to Hart, all in a mere two weeks, which explains the weirdness that Eyes Wide Shut became.  

For more Kubrick news click HERE.


HOLLYWOOD – Here are five films with long names.

1. The Assassination of Jesse James by the Coward Robert Ford: Brilliant existential Western starring Brad Pitt, which bombed at the box office because by the time people had finished asking for the ticket the film had already started. 

2. The Englishman Who Went Up a Hill But Came Down a Mountain: Hugh Grant.

3. Everything You Always Wanted to Know About Sex (But Were Too Afraid to Ask): Woody Allen. Long title followed by a little bit in brackets.

4. Dr. Strangelove (Or How I Learned to Stop Worrying and Love the Bomb): Stanley Kubrick. Short title then a long bit in brackets.

5. Borat: Cultural Learnings of America for Benefit Glorious Nation of  Kazakhstan: Masterful use of the comedy colon. 

You are welcome. 


Sir Edwin has kindly offered to waive his usual fee to appear on Inside The Actor’s Studio. While he waits to hear back from the producers here are some more of his tips on how to become a screen legend without anyone even noticing.

5 Awards
Once you’ve been acting for a while someone will want to give you an award for it. 

The only problem is that there are more actors than there are awards, so they dangle the carrot by giving you what is called a ‘nomination’ first. Basically you, the man who plays the blind fellow, the chap who’s usually quite funny but isn’t in this one, and some other old queen all get nominated for the award. You roll up to the bash in your best bib and tucker, then the prize is given to whoever was in the film that was based on a true story. The ceremony itself goes on for hours, but there is a free bar afterwards.

6 Cameos
If you’re too busy to be in an entire movie, offer to do a cameo instead. This means you only have to film one or two scenes and you should be finished by the time the bar opens.  It may not get you the billing that you’re used to, but they’ll try and make up for it by putting ‘and’ or ‘with’ in front of your name. The director will still want to get his money’s worth from you, so he’ll encourage you to show off a bit, and you can always help out by doing a funny voice. Whenever I’ve got to do a cameo I like to imagine that I’m Mickey Rooney in Breakfast At Tiffany’s: it never fails!
7 Glasses
As a young man I never wore glasses, but when I was cast as short-sighted Victorian novelist Anthony Trollope in Hardback Harry I had to get used to them quite quickly! It was Jimmy Durante who showed me how to operate them.
Basically you have to balance the glasses on your nose with the lens in front of your eyes. There are two hooks that you can put over your ears to help keep them on, but be very careful! One false move and you can have a very nasty accident: just ask Sammy Davis Jnr. Nowadays I have to wear glasses all the time, but only ever seem to get cast as characters who have perfect 20/20 vision! As soon as I take them off I start bumping into the set, which is why I now like to play people who sit down a lot. Dr Stangelove or Born On The 4th Of July would’ve been ideal for me. When Raymond Burr died I was hoping to take over as Ironside, but the suit was too big.


Nice weather for it

HOLLYWOOD – To celebrate the imminent end of days as predicted by idiots Studio Exec offers this definitive (I suppose) guide to end of world movies. Enjoy it while it lasts.

5. I am Legend

Billiam Smith furrows his brow and looks all serious because he’s surviving in New York and having to fight horribly unrealistic CGI vampire zombie stuff because brain box Nanny McPhee tried to cure cancer and accidentally (oops) destroyed the world’s population. Smith is having the time of his life tooling around New York in a sports car (no traffic), hunting gazelles, playing golf off of aircraft carriers and claiming Legend: The Greatest Hits is the best Bob Marley album ever. Wife and sprog happily dead, Smithster only gets truly miffed when his dog is rather unfairly bitten and he has to do as Hitler did and kill his own dog. See also A Boy and his Dog, Last Man on Earth and Omega Man.

4.  Armageddon

Who knows? This film had Ben Affleck in it and was directed by Michael Bay, which is Latin for don’t go and see this fucking movie. Arwen turns up. That’s all I know.

3. The Road

Aragorn and the boy with the vampire friend wander around Canada and the outskirts of Detroit while trees fall down around them. There are cannibals about as well, but everything turns out okay when Mike from Neighbors turns up with his Ikea family and (good news) he’s brought a dog. This film is exactly 1 minute 45 seconds too long.

2. Take Shelter

Under rated work of immense interest. Michael Shannon plays a troubled father who is plagued by visions of the end of the world. Is he struggling with a descent into delusion, or is he a prophet foreseeing a genuine apocalypse. Films about the end of the world do seem to have trouble ending, other than that, recommended.

1. Dr Strangelove

Masterpiece of comic darkness and arguably Kubrick’s best film. Peter Sellers is at his best playing the American president (with a slight Gene Wilder accent though sans hair), a British RAF officer and the titular ex-Nazi scientist. The world not only ends but is utterly deserving of it, given the madness and venality of all involved. You’ll laugh but by God it’ll hurt.


ENGLAND -The first time I met Stanley Kubrick I was walking down a corridor at Shepperton and I saw the Master approaching from the coffee machine. ‘Hello, Mr. Kubrick,’ I said.

‘Come again.’ ‘Hi,’ I said. ‘One more time,’ he changed angle. ‘Good morning?’ I said. ‘Again.’ – The bastard kept me at it for another 59 takes and in the end he used the first one.

This was to be my relationship with the Stanley-oid, as he loved his friends to call him. It was close, intense, fiery and highly competitive. George C. Scott had already warned me that Stanley was a great chess player and had trounced him (and Scotty is no slouch) all the way through the making of Dr Strangelove.

Of course, I was not much good at the game but I knew I had somehow to keep in hand while we were making the 90 minute caper film The Silly Irish Sausage for Warners. So I brought along a game I knew he couldn’t resist Ker-Plunk. What I didn’t know was just how seriously Stan the man, would fall for the game even ringing Mattel and getting them to send over their best Ker-Plunk designer to talk about a movie version. Again and again we played while vital decisions about the progress of the film were often offered up as bets on the outcome.

And that is how The Silly Irish Sausage became Barry Lyndon

(This extract was taken from the forthcoming book Lunches with Assholes: How Films Get Made due out for Xmas