THE MAKING OF THE THING

HOLLYWOOD – In our ‘The Making of…  Series’ we turn our attention to the classic science fiction/ horror remake: John Carpenter’s The Thing.

The Idea

John Carpenter had wanted to make another Science Fiction film following his debut Dark Star in 1974. He made Escape from New York in 1981 and then immediately started work on The Thing I Like About You, a musical comedy written by Burt Lancaster’s son Bill Lancaster. Kurt Russell, who had just finished working with Carpenter playing Snake Pilsen in Escape, was immediately cast as the shoes salesman who becomes hopeless involved with a millionairess and a Sheik. It was obvious to Russell that Carpenter wasn’t inspired by the story:

To begin with, he immediately had us move the production from New England to British Columbia. Before we knew it all the women and the musicians got fired and the script was changing every day. It soon became obvious  that John had an old Science Fiction film in mind but everything was on the hoof. The funny thing was – if you’ll excuse the pun – the title didn’t change. And in fact the first full cut of the film still had the title card the The Thing I Like About You. It was actually a note from a Universal Exec that had us abbreviate it.

Production

Filming in sub-zero temperatures was a challenge for the cast and crew as John Carpenter revealed in his autobiography ‘Everything Looks Like a Nail’:

We would film from seven in the morning and go into the night. But the next morning I would find Kurt Russell had frozen solid. At first we rushed him to hospital but the doctors assured me that he was perfectly preserved and no damage had happened. Apparently it happens all the time in Canada. So it became a thing. We’d send a guy to Kurt’s room an hour early so he could defrost Kurt. Then we’d film and that night Kurt would freeze again. Someone suggested we should move him to room with heating, but what with the freezing and unfreezing Kurt didn’t have to eat for the whole shoot and we saved a lot of money on rice and beans.

The special effects to create the monster were particularly difficult. Stan Winston was called in to do some work:

Most of the work was done before I even got there but there was one particular creature they couldn’t get right. And they were very pushed for time. This was described in the script as a dog. Now I assumed the dog had been taken over by the alien, so that’s what I created, but when I showed John he said no it has to look more like a dog. I went away, had a think and then did it again. By the third or fourth time, I decided as a joke just to show him a real dog. He said that was perfect and in the end that’s what appears in the film. Just a dog!

The ending of the film proved particularly difficult and John Carpenter was forced by the studio to shoot an alternative ending which has Kurt Russell waking up and realizing the whole thing was a dream.

Reception

The film was released in a double bill with E.T. and proved to be both a financial and critical failure. Vincent Canby in the New York Times complained that his seat wasn’t comfy and the popcorn he was given was slightly stale, whereas Roger Ebert wrote: ‘Watching John Carpenter’s The Thing, I had this air current on my neck. I don’t know if it was the air-conditioning or what but by the time I came out I had this really sore neck. It was irritating.’

Now the film is a cult classic and the air-conditioning has been fixed.

The Thing was released in 1982.

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THE MAKING OF ALIEN

HOLLYWOOD – In the latest in our celebrated Making of… series, we look at the behind the scenes drama that went into the making of Ridley Scott’s Science Fiction Horror film “Alien”.

The Idea

Dan O’Bannon had been writing Science Fiction scripts for some time. He had scripted and had a small part in John Carpenter’s debut movie “Dark Star”, but O’Bannon wanted to branch out and make a realistic drama about truckers driving across America with a cargo of coal. He wrote to his agent John Stutter:

Dear John,

Please find enclosed the treatment for the new screenplay “Alan”. The story is simple. A trucker called Alan is taking a cargo of coal across America. I see this as very much “Convoy”, but with coal and not as escapist as that film. Let me know what you think.

However, Sutter had not properly read the treatment and his note to O’Bannon was apologetic.

Dan,

Sorry to tell you this but I just glanced at the title of your treatment and got straight onto the phone with Fox. I thought the title was “Alien”. I think it was an ink smudge. Bad news, when I read the treatment I thought it deadly dull. Good news, Fox are sold on having a script from Dark Star writer Dan O’Bannon entitled “Alien”!

A disgruntled O’Bannon got to work and he re-used several characters from his coal convoy story along with the grungy feel he had been aspiring to but he resolutely refused to add an Alien which saw the script taken out of his hands and given to Ronald Shusett who added the Alien. Walter Hill’s production company got involved and a British commercials director who had just made an atmospheric Napoleonic drama called “The Duellists” was also interested.

Pre-Production

The key to the film was thought to be the creature of the title and Jim Henson, the puppet master who created the Muppets, was called in. Following Ridley Scott’s instructions to ‘go dark’, Henson produced the face-hugger, the fetus and the final creature in one 48 hour bout of creativity. However, fearing for his child friendly reputation he hired Swiss artist H.R. Giger to present the work as his own, a decision Henson would bitterly regret for the rest of his life.

Production

Tom Skerritt, Sigourney Weaver, Veronica Cartwright,Harry Dean Stanton, John Hurt, Ian Holm and Yaphet Kotto were all cast after Ridley Scott got stuck in a lift with them in a Casino in Las Vegas and was impressed by the way they reacted diversely to the claustrophobic emergency. In keeping with the sense of immediacy Scott attempted to maintain a sense of spontaneity throughout the fourteen week shoot which took place between July 5 and October 21, 1978. Scott gave the actors only selective pages of script and would frequently spring surprises on them. The chest-burster scene was so disturbing that Yaphey Kotto pissed himself with fear. Harry Dean Stanton recalls:

The urine was everywhere and we were skidding around on it and almost falling on our asses, but Ian and John came from the British theater tradition and so they carried right on. And that was the take that Ridley used. Some of the looks of disgust on Veronica’s face for example, are because of the urine on the floor as much as the special effects.

Later filming the final sequence, Sigourney Weaver would shit her pants, though this was later revealed to be a prank she played on the rest of the cast and crew.

Reception

The advertising campaign for Alien was widely seen as one of the most successful of the late 70s although there is some controversy about who came up with the final tag line. Salman Rushdie claimed that he was the author and Gabriel Garcia Marquez said the line was his own. Scott settled the argument when it was revealed that Julian Lennon, son of Beatle John Lennon used to say to his father every night before he went to bed, ‘Remember dad, in space no one can hear you scream’ which would cause some of John Lennon’s most violent ‘bad trips’. The film was deemed a success and in 1987 the library of congress hired a video cassette of it and forgot to take it back the next day, which is considered by some to be the highest mark of honor.

Alien was released in 1979.

For more of The Making of… CLICK HERE.