HOLLYWOOD – Johnny Depp is playing the Invisible Man for a Universal reboot of the classic tale of horror and the Studio Exec has an EXCLUSIVE picture of the star in the new role.

Adding to a long list of iconic roles – Edward Scissorhands, Jack Sparrow, the kid who gets eaten by his bed in Nightmare on Elm Street – Johnny Depp is now to appear in a reboot of the Universal classic and H.G. Wells adaptation The Invisible Man. The original saw, or didn’t see, Claude Rains in the role in a classic 1933 version directed by James Whale and since then such giants as Kevin Bacon and Chevy Chase have taken on the role.

However, this version is going to be a return to the original text and is part of a move on the part of Universal to reboot its rich back catalog of horror classics with Angelina Jolie set to star in Bride of Frankenstein, Tom Cruise in a Mummy remake and Eddie Redmayne to roar into life as The Wolfman.

Johnny Depp spoke briefly with The Studio Exec about his new role:

You know I’ve always been an actor who likes to disappear into his roles, well in this instance I’ll be doing that LITERALLY. HA ha ha ha ha ha ha ha ha! Ha ha ha! Oh I’ve done myself an injury.

However, the casting has been criticized by some groups claiming that the role should have gone to a genuinely invisible actor.

The Invisible Man will be released in 2017.


HOLLYWOOD – Sir Edwin Fluffer once again delves into his personal memoirs – soon to be published as ‘Not THAT Kind of Fluffer!!!’ – to recall Marlene Dietrich.

I knew Marlene Dietrich before the operation, and I have to say that she was a lot more fun in those days. An ingrowing toenail is no laughing matter, just ask Claude Rains, but there was something about her that changed and in her later years she was largely absent from the screen. Our last and first picture together was Witness For The Prosecution, based on the play by Agatha Christie. I got the moustache wax out and greased up ready to give my best Hercule Poirot only to be told in no uncertain terms that he wasn’t in it. 
To be perfectly honest with you I think that the director missed a trick there, but he had what I’d call an ‘artistic temperament’ and he also insisted on setting the whole thing in a courtroom rather than on a train.
I was convinced that audiences weren’t ready for an Agatha Christie with no Poirot and no Orient Express, but dear old Marlene said ‘give it a go, darlink’ and so I did. As my character spent most of his time in the dock I didn’t really think it necessary to wear any trousers as it can get rather warm under all that lighting, but then Charlie Laughton said ‘if Neddy’s not wearing his breeches then neither am I’ and off they came! 
Where are my gaspers?
Marlene thought this was all a tremendous lark, put Charlie’s trousers on and refused to take them off! We had the devil’s own job getting her out of them, and in the end Elsa Lanchester had to sit on her chest while Henry Daniel and I tried to grab her legs. The trousers were quite badly ripped, but what annoyed Charlie more was that he had a packet of cigarettes in one of the pockets. We looked everywhere for them! It must’ve been nearly twenty minutes later when we eventually found them under Norma Varden. Unfortunately when the producer heard out about the damage to Charlie’s trousers fingers were pointed and I got the blame. Yours truly was sacked and Tyrone Power took my role and played it much better than I ever could.  
Every year on my birthday Marlene would send me a new pair of Oxford bags, but I didn’t see the funny side.
I sent her a chipmunk wearing a kilt one Christmas, but that’s another story.

For more of Sir Edwin FLUFFER, be a peach and Click Here.


HOLLYWOOD – Sir Edwin Fluffer recalls his encounter with Robert Zemeckis and the birth of an American masterpiece.

Being an old hand at all this Hollywood lark I feel almost duty bound to lend the benefit of my experience to the younger generations as they make way their way up through the ranks. Some are kind enough to listen, others just look at me the way Lassie used to look at Jayne Russell, before slowly shaking their heads and turning away. But without my help, and passion for gardening, one of the most successful franchises in this business we still lovingly call show may have never come to pass.

A few years ago I suddenly got a call from a talented young director called Robert Zemeckis. He’d just had a hit with a picture called Romancing The Stone starring Kirk Douglas’s little boy, Michael. Bobby, as I instantly came to know and love him, wanted to talk to me about his next project. It was to be a comedy about time travel. I invited him over for a chat and one of my ex-wives served us drinks in the garden while the smoke from Paul Newman’s barbecue wafted over the fence. The smell was truly awful so we went for a wander ‘round the grounds and I showed Bobby some of my favourite plants, including a fuchsia that Claude Rains left me in his will. We spent an absolute age walking up and down the long borders trying to think of a suitable name for this film of his. Eventually I looked up and noticed we’d returned to the exact same spot we left all those hours earlier, but we were still no nearer a title.
‘Well,’ I said ‘here we are. Back to the fuchsia.’
And the rest as we so often say in Hollywood, is history…
Bobby was kind enough to show his gratitude by offering me the role of Dr Emmett Brown, but an in-growing toenail and some tax problems that forced me to leave for Switzerland under an assumed name meant I had to politely say no. I could tell he was disappointed and I promised to make it up to him by telling him about the time Marlene Dietrich asked me to put up some shelves in her new bungalow. 
But that’s another story…