HP LOVECRAFT’S FILM REVIEWS: SELMA
ARKHAM – H.P. Lovecraft turns his jaded eye toward Oscar hopeful and moving civil rights drama Selma.
Many are the horrors that have been projected upon the silver screen in the fetid darkness of the movie house, many the insane disgusting terrors that have sent audiences shrieking into the starless night, many the perverse sadistic twisted eldritch tales that confound belief and set the soul a-shiver but none have frozen my blood quite so deeply as the terrifyingly unspeakable nightmare that is Selma.
Set in the beautiful and peaceable environs of the southern states of this our United States, all seems well with the world. The races are sensibly separated and all know what beholds their duty and station. But a dark terror is lurking and a crazed leader with a hypnotic voice and baleful stare is elected ‘KING’ of his dusky brethren and with his twisted obsession and murderous need for ‘equality’ leads the benighted masses, gripped in his insane folly towards confrontation with the restrained and peaceable forces of law and order. A wonderful Tim Roth is the hero of the piece who is the Governor of the land of Alabama. Tom Wilkinson plays the President Lyndon Johnson, who fain would stall the black man in his fatal designs but who is weakened by his perverse love of a familiar demon (unseen) called Ladybird!
However, Oscar-worthy would be the performance of David Oyelowo as the infernal charismatic leader whose gentle cadences are but a covering for foul and depraved intentions. Fortunately, the Oscars is one of the few institutions which maintain strict segregation in accordance with the sensible strictures of the color bar.
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